Self Portrait

Self Portrait
Holly Pepper

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Currently I am undertaking an internship in Utrecht, Netherlands with the renowned design team consisting of Tejo Remy + Rene Veenhuizen. Through this blog I plan to document my design experience in Holland.

Monday, December 14, 2009

Sustainability in Context

Sustainability in design is very much dependent on the context in which the designer exists in. Ultimately primitive or indigenous culture is the best examples of sustainable design. However, it is unrealistic to expect the conditioning of Western societies to turn primitive over night. Therefore as designer we need to respond to the environmental and social context that we exist in.

For me a young designer living in Perth western Australia a concrete jungle surrounds me. Perth has an urban sprawl running effectively 100 km from North to South. It is unrealistic for all of inhabitants to abandon there homes and take up living in hollowed out logs, and sport the wears of a mere rabbit skin over the privates. As a designer it is unrealistic for me to start growing Pandanus leaves and weaving mats to feed the consumer habits of Perthites.

Instead I respond to my environmental context, and start re-using industrial waste. I pass sites of generic brick homes going up in generic suburbs and I raid the bin of these worksites and give the brick straps a second life. By using waste destined for landfill, I prolong the short life of a brick strap. The energy that goes in the producing a new raw sheet material is being saved because of the initiative I take. I am working with recycled materials, which may not be biodegrable at the end of there lifecycle. However, I feel that working with recycled materials. This is one way to work in a sustainable designer manner to respond to the consumerist context we live in and make use of our waste.

 I work best with recycled materials. When something is free I don’t have hesitation to put my creativity to work. For the time being I have plowed into this project and experienced an overwhelming sense of ideas.

 Where as if I work with a 100 % biodegradable fabric which cost 50 dollars a meter I am hesitant to put scissors to fabric. The dollars and cents scare the creativity out of me. However, to some degree this encourages and perpetuates the cycle of consumerism. However, for exhibition purposes I think I may well have to branch out into these fabrics to show a broader understanding of the sustainability topic.

Tuesday, December 8, 2009

Midland Junction

Last Wednesday I signed a 5 year lease for a studio at the Midland Junction Building under Artsources management. As I wondered through the rooms I hoped that I wasn't making a bad decision to move in. The place was like a hovel. Lots of dust dirty and marked walls. The chimney running through my room was covered in fat, remnants from the old kitchen cooking. As the room heated up the smell of old fat filled the room. I noticed in the latest newsletter from Artsource they did a feature story on the new Artist space in Midland, but put some very dimly lit images in of the space.

So over the weekend I pulled in the troupes. I had my twin sister and Dad in helping me scrub the building cleaning. Between us I think it took about 30 hours of work to make the studio space come up to scratch. At the end of the days work I was a bit more satisfied that I was making a good decision to move into the studio space. In time with the presence of lots of artists the flaking paint will be barely visible. I can now photograph my studio in brightly lit conditions!

Midland Atelier

Midland Atelier
The Water Tower Studio.

The Water Tower View

The Floor Mat

The Floor Mat
This is an organic looking floor mat I am creating. It was inspired by mold crawling up the wall