Struktuur 68

Last week I visited Struktuur 68, a ceramic studio in Den Haag. This ceramic factory specialises in assisting public artwork artists to create large-scale ceramic works. It was very impressive to the scale of some of the works being created in the studio. Some of the sculptures towered almost 3 to 4 meters tall. But the staff reassured me that they just use 15^th century techniques to create their ceramic work. Struktuur 68 has been operating since 1968, providing ceramic assistance and expertise to ceramic artists projects.

I went to check out Tanja Smeets public artwork piece. She is developing a large-scale works of flowing organic, Chinese soup spoons. The original free flowing artwork, developed originally from hand sculpting spoons has been developed into a process based, manufactured work at Struktuur 68. The streamlining of the creation of the work has meant that Smeet can develop the large work with greater speed and accuracy. Firstly the Chinese spoons have been created using 3 dimensional modeling techniques. These foam pieces have been cast, the plaster moulds are then used to stamp out the multiple ceramic versions of the spoons. Smeet then hand joins the ceramic pieces together, of which there are 23 pieces to create for this particular art project.

It was interesting to see the transformation of the working process when working on a large scale. The artistic process becomes more industrial; the artist becomes slightly detached from the creation of the work. However, it is also reassuring to see the same techniques that I use to teach high school ceramic students to create smaller sculptures are still relevant at such a huge scale.

www.struktuur68.nl

The Ice Bar

Last week we had the Uranus Culture Lab open day. I was very impressed with the amount of effort that went into making such a great event. There was lots of good food, live music, art auctions and even an abseiling event for kids visiting for the event.

Unfortunately the weather was pretty terrible, so all the different studio's scrabbled togethor at the last minute to pull together big marques to host the event in. As for the ice bar, well the weather worked in our favour. The bar lasted the entire day, just with one minor incident with one of ice buckets breaking apart midway through the day. Anyway, check out the pictures below or visit the Culture Lab webpage to see a bit more of the event. http://uranuscultuurlab.nl/openlab/

Oerol 2011

The Pepper’s having been getting back to there hippy Denmark roots over the past couple of days. We have taken up residency at the Nature camp in Hoorn, Terschelling. Terschelling is an island off the North coast of the Netherlands. Each year a 10 day performance festival is held in late June called the Oereol Festival.

The island gets so packed out with arts enthusiasts that your only option is to camp. Luckily with a bit of old experience my parents and I managed to cope camping in pretty wet and windy conditions. We entertain ourselves in the Dutch way, attempting to milk three cups of tea out of one bag… saving napkins from the odd café visit for our toilet visits at the nature cam

p.

Camping aside I was most impressed to arrive at the main festival site to find a paddock full of bikes. In Australia you would find a never-ending sea of cars parked in paddocks surrounding a festival. Instead in Terschelling you get lost in the sea of bikes.

Our choices for performances were narrowed down a bit with our lack of Dutch. I have attempted visiting the theatre in Utrecht, seeing a play in Dutch and was absolutely bored shitless, so I wasn’t about to try that one again.

So first show we saw was Propaganda, by an Australian group called Acrobat. It was nice to experience a bit of Australian humour in a circus context. These guys managed to successfully intertwine a serious anti-capitalist message into their show with a dash of humour and with some very impressive circus tricks. I was really impressed with the final scene when both the couple performing in the show changed my impression on a fixed wheel bike. Prior to the show I thought they were the dumbest invention out. However, this acrobatic couple managed pull off some very impressive tricks as the bike circled around the tent.

At the end of the performance the predominantly Dutch audience gave the family circus group a standing ovation… I developed a little sense of patriotism at this moment proud that this group had managed to crack it big time in Europe.

The second show we watched was a interactive audio play. We were mainly attracted to experience Domini Public, by Roger Bernat because this style of show is the next production pending for my sister Zoe. So we thought we would do a little of audience research for her. The play required each audience having a headset, we were asked a number of questions in a public square in West Terschelling, answering the questions required us to move around the space, taking on different poses. Through the sequence of questions the audience were identified as different characters in the show, allowing each audience member to assume a role in the show. Over the course of the hour long show the plot was revealed. However, the lack of theatrical train in the audience meant we did a fairly terrible job and at rein acting the massacre scene that evolved.

Nevertheless a pretty worthwhile show to attend.

We went to one other show called the Peking Opera, which I won’t bore you with the details. It was like going to a Denmark Pantomime. It was an absolutely terrible show that I wouldn’t recommend.

Uranus Culture Lab Open Day

Kroller Muller Museum- Jan Fabre Exhibition

I just have two weeks of my internship left. It feels as though I am trying to pack a lot of travel into the last few weeks. In the last two weeks I have been to Venice to see the Biennale and to Sweden to visit a good friend from back in the University days.

I am now in the process of entertaining my parents who are visiting Holland for a few weeks. I have just sent them off on a cycling trip to Arnhem, which is what reminded me that I needed to post about my visit to the Kroller Muller museum

The Kroller Muller museum is a very impressive gallery in the middle of the Hogue Veluwe National park. It is the last place that you would expect to find such a good museum. You can be cycling through some very diverse nature for 15 kilometers or so and then come across this gallery which holds many works of Van Gough’s and Rembrant in there collection. Originally the museum collection was privately owned by wealth art collectors Helen + Anton Kroller. The couple owned a 12,000 piece collection with over 200 paintings of Van Gough’s. However, the came across financial troubles and risked losing there collection to debt collectors. So the couple donated the works and National Park to the Dutch government in1935, who have maintained the collection ever since

Currently the museum is showing a major exhibition of Jan Fabre’s sculptural works in an exhibition titled Hortus/Corpus. Fabre is a Belgian multidisciplinary artist who currently has many sculptural works on display at the Kroller Muller museum. A diverse range of materials are employed in the works. I was most impressed by the large-scale works created from jewel-scarab wing cases. The metallic wing cases, change in colour as you gain a different perspective on the work. Ranging from a luminescent green to a deep royal blue.

Filling the centre of the large sculpture gallery space is a work titled “I had to demolish a part of the ceiling of the royal palace because there was something growing out of it (2008.”

This is a large scale works inspired from the piece developed for the ceiling of the Belgium royal’s. The piece took over 2 million bug shells to create the work. The exhibition piece references the black pages in Belgium’s Colonial history. The scale and realism in the piece, creates a very strong and impacting work.

The exhibition continues on for rooms + rooms and spills out into the large outdoor sculptural display at the national park. The works use materials ranging from glass, steel, ceramics, + gold. Many of the works reference the scarab wing cases, whether it be employing this as a medium or using the shape as an influence on the form of other works.

Anyway, if you are kicking around in Holland I would highly recommend that you visit the museum. It is totally worth the drive.

EKWC Den Bosch

While I have been in Holland I have been very fortunate to be taken out to different arts events around Holland by Tejo and his partner Tanja. I really appreciate the effort these guys have made to help discover the arts in The Netherlands.

Anyway, a few weeks ago Tanja took me to EKWC, a ceramic artist in residence in Den Bosch, in the South of Holland. EKWC was a very impressive facility. It is equipped with a range of different gas and electric kilns, spray booths, plastering rooms, 3 D printing machines, and very organised Glaze library. On top a of a great facility there are about 8-12 different specialized ceramic technicians who can assist artist in residence with there technical knowledge of ceramics.

Tanja has just completed a residence at EKWC. The residencies are for a three month intensive period. Artists live at the studios and totally engross themselves in developing ceramic objects. Tanja described the obsession she developed for ceramics, during the residency period.

The best bit is you don’t have to know a thing about ceramics before you take up a residency here. EKWC wants there artists in residence to be experimental with the development of there ceramic forms.

So if you are interested in ceramics and looking for a residency experience this may be the place to apply too.

http://sundaymorning.ekwc.nl/

Searching for the Strand Beest

I don’t get excited about many things, but I was pretty excited about the prospect of going to check out Theo Jansen’s latest kinetic sculpture on the beach. For the past few weeks I have been checking out his webpage at lunch time at work. I bloody hate lunch here. I feel like the biggest dick not being able to partake in the purely Dutch conversation. So instead of trying to look interested in my sandwich, I kept zoning out to the Strandbeest webpage… dreaming of the day I got to see this work in the flesh.

Anyway, the weekend arrived, I was all set for the sculpture viewing, in The Hague. I got to the beach it was pissing with rain. The wind was howling like a dog. I had met this random guy in the city earlier on, I was a bit cautious of him to begin with. But without his help I probably wouldn’t have found the beach. He also had an electric fold up bike, he was very keen to show me, so the wind was a lot easier to battle with his bike. While this poor guy, battled along my rickety old bike, he also had a real hatred of rain, so every couple of kilometers we would travel he would stop and wipe down his jacket with a reem of paper towel.

Anyway, the rain got to much for my mate, so we farewelled each other and I trundled along on my old bike for another couple of hours, pulling into each beach café to asking some random, weather they had seen a sculpture walking down the beach. Did they know where the beaufort scale was sitting at today? Some very random questions.

Anyway, windswept and cold I gave up on my search for the strandbeest.

Stuff Up's

It is actually quiet refreshing seeing Tejo and Rene stuff up there design jobs. I am continually making mistakes and the studio. Having to remake frames or re-cut objects because they are not the right size. It is all part of the learning curve, but very frustrating at the same time.

To see older more experienced people muck up their design work, lets me breath a sigh of relief. Dad put it well, he said something along the lines of.. The only difference between you young guys is and us old blokes is that we have stuffed up on more occasions and have built up a bank of mistakes which we have learnt from.

Anyway, the other day Tejo was already to pour the concrete into the plastic mould he had been making for an outdoor, concrete seating piece. This piece was pretty well tried and tested, Rene and Tejo making a few of these benches for an exhibition in Miami late last year. Just a few minor changes were made to the volume in the legs and the material used in the upper half of the mould. It had taken him a week of tinkering to get the frame welded, work out the new geometry of the legs on the piece, sew up the plastic liner and prepare the mould ready for pouring.

Anyway, when it came to concreting I got to chip in and help out a bit. We were almost complete with filling the mould with concrete, when the sewn seems started to rip under the pressure of the concrete. Small leaks grew into large leaks. I was running around the studio madly cutting strips of rubber to wrap around the gaping wound. After repairing the rip we still needed to pour more concrete to create a completed piece. So we pushed on ahead and low and behold the seams ripped on another leg and we had another rapid repair job on the mould. The studio was covered in wet concrete. It was a bit of a disastrous pour.

So I suppose I will take comfort in the fact that the learning curve will continue, even until I am considered an old girl!

- 21 Degrees Celsius

The studio complex where Rene and Tejo have there studio are having an open day on the 19th of June. Each studio has been delegated a different task to work on. Our task is to design a bar. Rene is dead keen on building an ice bar... in the outdoors.. in the middle of the European Summer. It is going to Stone Henge in Ice! He is totally convinced it is a great idea. So we have been running trials in the small freezer and the studio, making locking type mechanisms in ice. Making ice cups, to serve up drinks in etc.

Today we visited his mates factory that stores all the refrigerated and Frozen foods for the biggest Grocery Store in Holland- Albert Hejin. The freezer is the size of a massive industrial warehouse. It sits at a nasty - 21 degrees. We stuck a wheelie bin in the freezer, with a dividing wall placed down the centre to trial out making Stone Henge Blocks.

I think this is the coolest temperature I have ever been in! Thank christ for the boofy jacket.

Searching for some space

When you live in a place you never usually stand back and consider it’s defining characteristics. We are told that Perth is the most isolated city in the world. Coming from Denmark on the south coast, this was a very isolated place. I never really took much notice of these characteristics until now. Living in remotes places is just a way of life. This remote landscape gives you a sense of freedom and at times can be threatening. These characteristic of Australia have had a massive influence on our art and culture, which I only fully understand now.

It is only now that I am in Holland living in highly densily populated country that I find myself searching for some isolation. I am finding myself wanting to drive for a couple of 100 km’s and not to see any development. I want to find a forest I can wander about in. I am a little hard pressed to find this feeling of remoteness here in Europe.

Today I travelled 2 hours by train, 1 hour by bus and 1 hour by ferry to the Fresian Island, Ameland. I packed a small pack for the night, with a few nuts and biscuits. I wasn’t sure what type of island I was heading to, so I ate modestly and considered that I might be returning from an isolated island fairly hungry. As it turned out there was food on the island and lots of development. But walking along an expanse of sandy beach for 2 hours gave me that feeling I was searching for.

Prototype Number 4

The concrete chair prototyping continues, we are on to prototype number 4. The wooden clamps are gradually becoming rougher and rougher as the parts to the mould get treated as a ‘work in progress.’ Gradually I am cutting away at the pieces to modify details of the piece. The shape of the piece is becoming refined and the edge finish is being experimented with.

This internship is teaching me to preserver. I generally have a tendency to jump from one idea to the next. This task of refining the concrete stool is a good lesson I can take home and use on my own work.

I am enjoying making the most out of Tejo and Rene’s fully equipped workshop, they are stocked up with every tool you could want. Each corner of the studio you can find a stash of materials. This is another thing that is lacking in my studio at home. I need to start investing in more tools so I have the liberty to diversify the projects that I am working on. Whenever I get cracking on a project at home I am continually faced with the dilemma of a lack of tools, space and the money to invest in materials.

For now I will lap up the use of this decked out studio in Holland!

What is it like to be a bird

Everyday when I head to work I cycle past this old farmhouse, which is stuck between the freeway to Amsterdam and the canal. The first time I saw the space from afar I thought it had a really erie feeling.

Anyway, this weekend there was an art exhibition at the space. The old stables and farmhouse had been converted into a temporary exhibition space… showing my old favorite… video installations. Anyway, it was quite strange staring at a video project down a hallway, between two horse stables. At the same time as watching a film on chickens I had two horses staring at me. The horses started to get a bit reared up with there company. I wasn’t sure if they wanted a pat or if they wanted us to piss off.

Anyway, the most interesting work I just about totally dismissed. There was a sign asking if I wanted to be a bird. The thought of acting out being a bird, didn’t really sound up alley. All the theatrical talents went to my sisters.

Anyway, on recommendation from someone else at the exhibition I went back to the booth shaped like a birdhouse. This artist Thija van Vuure is a selft taught artist and biologist. Through his work he began to study different bird species calls. He takes sound and video recordings of different Dutch Birds. He then explored the idea of slowing the sound speed of the bird call to a human life length. From this he discovered it was possible for humans to imitate a bird-call. So you head into the small intimate birdhouse booth, feeling like a real idiot you imitate the sounds of the bird call. The artist then speeds these recordings up to the speed of the short birds life span. From this the human bird call is born… for a whole audience on the outside of the booth to watch you make a real dick of yourself making a bird call.

Luckily we haven’t been posted on U-tube… but there are a few others on Thija’s webpage.

http://www.thijsvanvuure.nl

Sammlung Boros Collection

On Saturday I took a tour of the Sammalung Boros art collection, which is situated in a bunker in Berlin- Mitte. I signed myself up for a one and half hour tour in German. This was slightly painful… but it was my only way to view the contemporary art collection. The three English tours during the day were all booked up. I thought art being such a visual thing than that the context would not matter that much.

The Sammalung Boros collection is a private Contemporary art collection that was set up by communication designer Christian Boros. His collection of art has been situated in the bunker since 2008. The function of the Bunker has often changed in the past. It served as a shelter, prison, fruit storage, techno club and is currently a private art museum.

This coloured history of the building creates a very spectacular area to display art. The compartmentalised rooms give each piece a dedicated and private viewing space. The bombing marks on the exterior of the building and the rustic paint surface on the interior walls gives the gallery space eliminates any austere feeling that the gallery may have.

At the Gallery I was probably most impressed by the work by Olfar Eliasson. The opening work in the gallery ‘Berlin Colour Sphere’ is a spectacular lighting piece made from a number of iridescent glass pieces. The light reflects a sphere of geometric colour into the room. As you move around the gallery seeing the piece from aerial angles the colour of the glass becomes more opaque.

Eliasson also has another installation in an upper room in the gallery. The room gradually transforms through a spectrum of different colours. The beauty in the piece is revealed behind the scrim spanning a good way across the room. Behind the scrim is whole series of halogen lights beaming different colours through their attached filters. These lights must be attached to dimmers, which control the amount of light and alter the mixture of colour in the room.

The Boros Collection has commissioned a number of contemporary artists to create site-specific works. Some of these works have been built to fit into difficult working spaces. Tight prison like cells, have geometric forms crawling between the different rooms.

Arthouse Tacheles

When I moved into the Midland Junction Studios about a year and half ago, I thought I was moving into the ghetto. It took about 2 days to clean up and make a 20 sqm space look decent enough to call it an art studio.

But I have taken a rain check on Titling the Midland Junction studios a Ghetto after visiting the Tacheles art centre in the centre of Berlin. Everywhere I walked in these studios I got a wiff of old urine. Along the hallway and entrance to the studio was covered in graffitti. Artist who worked in the spaces had taken a bit more effort in cleaning up there spaces, but the whole place had a bit of a grungy, dirty vibe.

The building used to be a part of a Jewish quarter in the city. In WWII the space was overtaken by Nazi administration. The derelict building was overtaken by artist in 1999, there are 20 + artists working from the space.

The studios had a bit of a strange vibe, each artists set there own rules, some charged to enter to have a look at there work, others charged if you took a photograph, and some artists were just happy to have wonder in an check out your work. It seemed like they all needed to make a consensus decision on payment and sit one person at the front of the art centre if they wanted to charge an entry fee. Anyway, I felt like a bit of a tight arse squirming over a couple of Euro when i had been forking out 10 odd Euro for every gallery i entered in Berlin.

As for the artwork, I wasn't totally impressed, maybe the commercialisation of the studios made me a bit weary. But if you are kicking around Berlin it is worth a look.

http://super.tacheles.de

Hamburger Bahnhof

I never thought that I would fall asleep in an Art Gallery, but I did the other day! I am truly following in my mothers sleeping foot steps, which is slightly depressing. My mother once fell asleep in the middle of a telephone conversation.

Anyway, I was so mesmerized by some video art, and the comfy cinema like setup that I dozed off for a while. I woke up to a much larger audience of viewers and wondered how long I had been there?

Anyway, this all happened on my visit to Hamburger Banhof in Berlin, Germany. Hamburger Banhof is a railway station that has been converted into a massive art gallery. The space is a beautiful setting for a gallery. Big high ceilings has allowed for a spacious display of large artworks. It is worth a visit to this gallery just to see how well the artworks fit in the context of the gallery.

The most impressive artwork for me was an installation by Richard Long, an English artist. The work was made up of a series of natural objects, like stones, mud, decaying wood and pebbles. These various natural objects have been meticulously laid out into geometric shapes. The scale of the works is very stricking.

As for the rest of the gallery, I found it very conceptual. Conceptual art doesn’t exactly float my boat that much. There were so many video installations I went to sleep!

http://www.hamburgerbahnhof.de

Abstract Interpretation of History

Today I visited the Jewish museum in Berlin, Germany. I expected to leave, having a very depressing experience. However, thankfully the curators of the museum had taken an abstract approach to presenting the tragic history of the Jews in Germany.

Daniel Libeskind has designed a very impressive piece of architecture to house this important history. The building is very unconventional; the space has many harsh linear lines running through the building. The space is filled with angled windows, cold harsh concrete and is cladded in a dull zinc alum surface. The ground floor museum space has uneven surfaced floors, there is no such thing as way finding through this museum space.

Tucked in various corners of the museum space are different voids, which gives a visitor a censory experience of the Jewish German History.

One of the voids is a triangulated space that is cold and dark inside. The roof towers 20 meters above you. Halfway up the wall is a ladder, which is unreachable. In the corner of the room at the very top of the space is a small channel of light seeping into the room.

Another one of the spaces is filled with heavy metal dics, with simplified faces cut into the discs. Visitors to the museum walk over the cobbled metal discs, which creates this discordant sound resonating in the void space.

I was really glad I overcome my fears of becoming too depressed at the idea of visiting the Jewish museum. The contemporary approach taken to present this history was very eye opening. So often in Australia, history is exhibited so

literally. The Jewish German history is very well known, it is nice to see a sensitive approach has been taken to present it.

Losing my fan base!

Yesterday I lost my biggest fan base. Nan has been the biggest fan of her 11 Grandchildren’s artistic achievements. She enthusiastically attended art exhibitions, performances and concerts. Not only was she a supporter she was our best marketing promotions woman around. She would litter her coffee table with newspaper cut outs and proudly tell every visitor to the house about the current projects in the making.

Nan also graciously gave up her house for many an art project. Back in the Summer of 2010 my sculptural piece Spinifex outgrew my studio space. So I took up Artist in Residence at Nanna Shirls place in Darlington for about three weeks.

What a Nan, putting up with her garage being turned into the welding shed. The Back room was the pod threading station. The verandah became the temporary photography studio. As the temperatures soared Nan gradually let the art project creep into the house, getting closer to the air conditioner.

It must have taken a fair bit of tolerance to have a granddaughter come and be your artist in residence. Nevertheless the support kept flowing. At 9 pm at night just before nan popped off to bed, she would come out with a plate of sweets to keep my sugar levels up so I could power on through the night and finish this piece in time for the exhibition.

So after many a cup of tea, conversation and plates of sweets Spinifex was finally complete. We took the piece to Cottesloe and exhibited it for 3 weeks. Unfortunately it has taken until now to sell the work, and Nan has kindly allowed me to turn her back yard into Sculpture park, looking after the work until the right buyer came about.

Anyway, Nanna Shirl is going to be fondly remembered for her support of the Pepper art projects.

Tensioned Concrete mould

This is the outcome from Friday's concrete pour. The plastic flexible mould was created without any sewing. It was all held together by clamps. This makes the mould reusable.

The piece still needs refinements, but an interesting piece to be experimenting with.

Queens Day

A sea of orange flooded the Netherlands this weekend. The streets were filled with coloured flags lining the streets. Lots of People made a big effort to dress ridiculously in some sort of Orange outfit. This was all in the name of Queens Day, the biggest annual celebration in the Netherlands.

The streets also turn into one big jumble sale. Queens day is a good excuse to clean out the house and sell all the junk laying around your house. As the selling starts so do the small house parties, which then converges into one big street party. It was an amazing atmosphere I have not really experience before.

Me and my hoarding habits, meant that I couldn’t resist the bargains lining the streets. The first night I picked up a toaster and air mattress to make for a homely environment when my Australia visitors hit town.

Then day two in Delft, I bought some very bright looking sneakers to get my exercise on. I also spotted a very nice pair of cycling shoes for my dad, fingers crossed they fit.

Inflated Concrete Furniture

Over the past couple of days I have been assisting Rene with refining their concrete furniture. Both Rene + Tejo created a series of exhibition pieces late last year created from a method of sewing 3 dimensional moulds out of rubber and plastic and pouring concrete into the mould. The flexible moulds give the concrete an inflated appearance.

Yesterday I was tinkering away most of the day trying to prepare a mould for casting a table in concrete. The mould is very complex and it is so easy to stuff up cutting and punching holes in the mould pieces. Like any intern I regularly slip up and stuff the process up. But this is all part of the learning experience I suppose.

Anyway, we are working towards creating a table, which requires no sewing in the moulds, making the rubber mould reusable for each chair. This requires a lot of clamps, bolts, rubber moulds and wooden clamping pieces.

By the end of the day we frantically poured the sewing free chair. We will see how this piece pops out. It may compromise the organic qualities of the piece having a wooden structure forming the edges of the chair leg.

Just Married

A stand I forgot to mention from Milan Furniture fair was a group called ‘Just Married’. This was a very fitting name considering these designers had travelled from Brittany in France. Anyway, they showed a lot of enthusiasm and determination to display their work. Three designers towed a caravan from Brittany to Milan, to show off there work. They parked the caravan on a prominent walk-way between exhibitions. In the back of the caravan were a number of different products. One was a cast vibrator with a relief print of Jesus on the cross! This was very brave considering the number of Catholics living in Milan! Anyway, I was just impressed by the initiative the ‘Just married’ design team showed, overcoming the expensive challenge of exhibiting at the Milan furniture fair.

Colourscape

I am not to good at keeping up with this blogging business I have a back log of stories in my mind to write about, but never seem to find the time to sit down and stick them on the blog.

Anyway, I will start with the most current event. Yesterday I was determined not to be your typical tourist and arrive in the tour bus to see the tulip fields of Lisse. Instead I was determined to slog it out to get there. I made use of a beautiful summers day and cycled about 70 kilometres from Utrecht to Lisse. It took an exceptionally long time on my clunky old Dutch bike. I am guessing I had lots of old people comment in Dutch about the amount of noise my chain guard was making.

Anyway, the ride was pretty spectacular, I cycled through a lot of small towns, following the canals most of the journey. I did exceptionally well not getting lost until I got to Leiden. You would think it would be straight forward finding a tulip field, but not for old Hol. After many stops pulling out the map, asking for directions I found my way.

By the time I made it to Lisse, my knees were creaking and my thighs were aching. All I wanted to do was see a bloody tulip and my mission would be completed.

However, once I found one field I had a lot of inspiration to keep on riding. The wide expanses of colour were almost like an abstract painting. It was a very spectacular scene, seeing such vibrant colours. The cycling pains disappeared into the back of my mind, over taken by a visual feast of flowers.

Tectonic plates

Yesterday we had our own mini earthquake at the Remy + Veenhuizen Atelier. We were gunning though making another floor mat. We had a nice bit of team work going on. When the whole piece was complete an eruption occurred in the middle of the mat. All the the woolen blanket pieces were curled up under pressure and burst out with a huge crack across the middle of the work.

Anyway, we spent an hour repairing it yesterday, and I am sure there are another few hours to go today to fix the piece.

Open Source Design- Droog Design

Droog

The most challenging exhibition I visited during the Furniture Fair in Milan was a stand by Droog Design titled ‘ Make Me.’ Droog are renowned for commissioning innovative and conceptual exhibitions. This is basically the reason that I was drawn to working in Holland with Tejo and Rene who are represented by Droog.

The ‘Make Me’ exhibition was based on the idea of Open Source Design. Open Source Design basically capitilises on our global accessibility through web technology. It enables designers to create products, place them on the Internet ‘open source platforms’, then the consumer can manipulate this design to suit their personal needs. The consumer then purchases these plans from the designer. The consumer outsources a local manufacturer to create the piece.

The benefit of this platform for design is that the end user can to some degree manipulate and design there own furniture pieces, it cuts out the large commissions that retail outlets take for furniture pieces, effectively driving the product price down and it reduces the green miles that the piece needs to travel.

It sounds interesting in theory, in practice I was not so convinced. When I visited the Droog exhibition I struggled with the electronic interface to create the work I wanted to make. Even after running around finding someone to show me how the software worked. I still had this niggling frustration, with the program.

A lot of the pieces where CNC cut wooden furniture pieces. The joints in the pieces were generally finger joints, reducing the need for special fixings and screws in the piece. The pieces basically looked like something from Ikea, and lacked the same structural integrity that a piece of furniture from Ikea would too.

I also struggled with the fact that it is hard enough for a designer who has a general understanding of manufacturing processes, the appropriate manufacturing language and the suitability of materials, let alone you average joe, who barely has the handskills to get a bloody alan key out of a packet and follow some Ikea DIY instructions.

There are a lot of logistical matters that keep flowing around in my head that prevent me from being convinced by Droog’s open source design idea.

- -You are basically limited to very sterile products that only employ cnc/laser cutting techniques in the design.

T They suggest that designers could use 3 D laser printers to create more organic work. However, this technology is so expensive it is not really a viable option.

-T There are a lot of inconveniences placed in the consumer’s hands like… negotiating with manufacturers, transportation issues.

- This style of design does not leave opening for the designer crafts person.

- Maybe it is an egotistical reason this concept from Droog is niggling at me. Basically it devalues the skills that a designer develops over time to create work. We develop the knowledge and understanding of materials and processes. We learn to build relationships with manufacturers to easily translate computer generated ideas into real objects. All of these aspects of design will be compromised for the sake of reducing the products price and making different designers work more globally accessible.

As highly critical as I am, I was impressed that I was challenged on day four of design saturation.

Tortona Design Week- Milano

Today I spent the day roaming the Tortona exhibition area. This was a lot more up my alley than the Fiera Milano. The Via Tortona area is an industrial area of Milano. Spaces like mechanic workshops have basically been boarded up partially and turned into temporary exhibition spaces. People have given up there houses and moved every object out to accommodate for hordes of visitors to walk through a temporary exhibition space.

This style of exhibition reaches out to designer maker crafts people. The exhibition felt much less commercialised than the Fiera Milano.

It is slightly disappointing that there are no really interactive events at the exhibition. I thought it would be a perfect forum to engage in design debates + undertake different workshops. However, it seems as though most stands are purely focused on exhibiting.

I visited the Domus live at Tortona, which is focused on presenting talks, interviews and design debates. However, it seems that the whole thing was really geared towards posting the event on a social media platform. The speakers were position awkwardly close to the camera, preventing the real audience to really watch and listen to the interview. There was no attempt from the organizers to rally up real live crowds of visitors to the interviews.

It just seemed a little bit absurd not to engage a live audience, when you have a captive audience rearing to rest there weary legs from walking to endless exhibition displays.

David Truebridge

Frengo